When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.

An ensemble workplace comedy about a group of underdogs trying to find their place in the world, set on the Friday night flight from LAX to Vegas and the returning flight on Sunday, who all share the same goal: to come back a winner in the casino of life.

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After a pleasant afternoon hike, three friends find themselves stuck at the trailhead, unable to get to their car 100 feet away because of something lurking in the grass.

After getting kicked out of college for the semester, Val goes back to his hometown and moves in with his single dad, where he sets himself two goals: write the next great American novel and get his high school girlfriend back. But after Val’s friend suddenly dies and his 12-year-old brother Charlie comes to live with him and his dad, Val quickly realizes that he has to grow up fast so that Charlie doesn’t have to.

When little Lucy wishes it were Christmas every day, "forever and ever", her dad tells the cautionary tale of her grandmother Tilly, who, as a little girl, made the very same wish, and the dire consequences that occurred after her wish was granted.

Shrewd money manager Alexis Taylor gets the holiday visit of a lifetime. A self-proclaimed workaholic who ‘humbugs’ love, Alexis ends up embracing the spirit of Christmas when her past, present, and future collide, forcing her to risk the one thing money can’t buy: her heart.

In 1515 Machiavelli stated that it is better for the Prince to be feared than loved. Some 500 years later, Michael Hardt, political philosopher and co-author of Empire, Multitude and Commonwealth, asks what it would mean to base a political system on love, rather than on fear. How can we transform a society that is increasingly defined by a permanent state of war and cultivated by an industry of fear? How can we realize the paradigm shift necessary to move away from a reality that depends on the exploitation of people and the cult of privatisation of public resources?

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